Worship Set List Song Selection
I was recently asked how I choose songs for service. Hmmm. Let’s see. I fast from fruits and vegetables for three days. I light 4.3 candles in order of height and weight. I listen to 3 songs simultaneously and see which I can understand the best. I…… OK, I’ll stop there. To be honest, I’ve never really analyzed the process. I just usually went with what I thought was right. Now that I’ve thought it over a little, I would say that there are a few things I consider.
- IS THE SONG ENGAGING? This is nothing more than whether or not you think the song is AWESOME! You know what I’m talking about, the songs that jump out at you or take you somewhere when you first hear them. If a song did it to you, it will probably do the same for someone else.
- TRUTH. Does the song line up with the beliefs of your church.
- RELATIVITY. Does the song relate to the message being delivered that weekend? A song can have a huge impact on a person’s thoughts, especially when played immediately before or after the Pastor speaks.
- DISCERNMENT. Sometimes God puts a song in your head & heart that you would never choose, but you just have to do it whether you like it or not. God knows what He’s doing & if it changes just one person’s life, then it’s worth it.
- SPECIAL REQUEST. At times your Pastor will want to hear a certain song that really spoke to him/her. These are the songs that go on the set list for sure. Trust your Pastor and go with it. Always remember, you’re not the only person in your ministry that God is going to speak to through a song.
What about playing secular music? Well, that’s up to your Pastor. If he/she is cool with doing secular music, then there are a few things to consider.
- IS THE SONG CLEAN? I think you know what I mean. Is it free of innuendos and questionable language etc,.
- RELATIVITY. Does the song relate to the message being delivered that weekend?
- CASUALTIES. How many people are you willing to sacrifice? There will be some that are thinking “I can’t believe they’d play songs like that in church”. That will happen. It might be 1 person or 20, but it will happen. But, it all depends on how you look at it. You could look at it as pulling weeds or as pruning to help your congregation grow.
Examples of including secular music in your set list would be songs like “Whatever It Takes” from Lifehouse for a message on relationships. Or, “More Like Her” by Miranda Lambert for a message on infidelity.
What’s your criteria for choosing music? I’d love to hear your thoughts on the subject.
Building a Multi Site Worship Team From Scratch – Update
To say that it’s going pretty slow in Alice is an understatement. I haven’t had any solid leads yet, but I have come across a few possibilities. I guess I’m doing ok seeing as how we don’t even have a facility yet. I can’t let this bogg me down. This is where I have to fight off the stress and believe that everything will come together.
Well, nobody bit on the questions of “how good do the band members have to be” and, “do they have to be saved”. So, I’ll just ramble on till I get a bite.
How good do they have to be? Well, the musicians have to be as good as you’ll tolerate on stage. If they’re bad, then the worship music will be bad. And everyone knows that right or wrong, the quality of worship music has a lot to do with attendance. I frequently use a scale of 1 – 10 as far as musical aptitude goes, so lets use that in this situation. When starting your worship team, it’s best to set the bar at 5′s & 6′s (on a scale of 1 – 10). Set it and stick to it. Even if it means it’s just you up there with an acoustic or piano. This is where you need to start. It’s much better than starting with 2′s & 3′s. If you do get some 2′s & 3′s, you’re gonna have to really think about how much time you have to get your music to the next level. So, you might want to talk to them about helping in Audio/Video or Stage Production. Anyway, starting with 5′s & 6′s is great because that’s what it takes to get the 7′s & 8′s and eventually the 9′s & 10′s. It’s going to be difficult to pull in a player that is a 10 when your band is in the “5″ stage (mid level). This is where the team building begins. You have to give it time to build slowly while working with them. The 5′s & 6′s have to know that you believe that they can eventually get to the point where they’re not the weakest players in a group of 10′s. This type of encouragement and investing is priceless and usually results in members who are totally sold out to the ministry. The flip side is, you have to also love them enough to tell them when they aren’t keeping up and encourage them to honestly look at their commitment level.
I heard a lead pastor tell his worship team “no one gets by on their talent alone.” This is very true. I’ll add to that by saying that no one gets by on relationship alone either. There has to be a balance. If your guitarist (who is also your best friend) isn’t keeping up because his skill level has maxed out at a 5 and your band is a 10, then you have to ask him/her to take a different role in the ministry. Whether it be in sound, lights, coordinating, etc. You don’t want to send them packing, but they have to know that the band has graduated to the next level. They normally understand, and are willing to make the move. It’s like this, each weekend service is like the Super Bowl, you want to play your 1st string, not the 3rd right?
So, what is a 2? What’s a 5? What’s a 10? That’s totally up to you! We all have a different idea of what’s good, what’s great & what’s awesome. So, that’s where your expertise comes in.
I’ll talk about whether or not a musician needs to be saved to be on the worship team in a later post. Check back soon.
Building a Multi Site Worship Team From Scratch
It looks like we’re a go for our next Multi Site Campus in Alice, Tx and my head is spinning. I’m going to post everything that happens along the way, so if you are about to add another campus or begin your first, check back often for details.
I’d like to start by saying that I am believing that God will provide the people we need for this campus, and realize that stressing over it will not do anything but make me stressed. Of course we have to do our part, but we all know that God is going to get His agenda done with or without us.
Ok, with that said, here’s the information I have on the campus. Alice is approximately an hour away and we don’t have a building yet (how’s that for faith). There’s a core group of about 40 people that come to the main campus and they will be the leaders of the new Alice campus.
The first thing I did when I heard that we were a go was to call a friend who grew up in Alice but didn’t live there anymore. Unfortunately, he didn’t have any leads. He did suggest that I call the local music store in Corpus Christi that supplies the schools in this region with band instruments. I figured that they could put me in touch with the band directors in Alice, and that they could give me some referrals to good musicians in the area. I have not made the call yet but will jump on it this week. Like I said, these are the beginning steps to putting together a worship team from scratch in a town where nobody knows your name (Cheers?)
I’ve also called a lot of people that I know personally to get the word out. There have been a few referrals, but they don’t live in Alice. Now, this is very important. You have to get musicians from the town that the campus is in. You don’t want them driving 1 hour to Thursday rehearsals and Sunday service every week. They will burn out quickly and you’ll be looking for someone in town eventually. Besides that, you want it to be their church home and not just where they go to play. The “all in” factor has to be there and it’s easier to attain when they live in the same community.
As soon as I get some names, I will be making some “cold calls” to see who’s interested.
You may be asking, what’s your criteria? How good do they have to be? Do they have to be believers? Before I give you my answers, I’d love to hear yours. How would you answer these questions?
Getting A Full Sound Without EQ – Pt. 3 Keyboards/Vocals
Thanks for checking back in for part 3. Please check out my previous posts for parts 1 & 2. We’re talking about keyboards today. Now, when I say keyboards, I’m not talking about a baby grand on stage. I’m talking about someone playing something like a Korg Triton or something similar that is normally used to play all parts including piano, strings, pads, synths, etc. One of the first things you’re gonna want to do is ask the keyboardist to stay away from the lower register. When you have a bass player, there’s not much room for both of them to be playing in bass clef unless the song calls for it. I usually suggest staying above middle C. This will clean up your sound and make it less muddy in the lower register. Secondly, if you’re PA is wired in stereo, make sure you’re running your keyboards in stereo . If it isn’t, there’s no use in taking up 2 channels if you can’t hear the difference. Lastly, inversions of chords also help to broaden your sound if it’s to thick in the middle. So, get your keyboardist to experiment with putting the 3rd on top or the 5th.
I don’t have much for the vocalists. One of the things that I have discussed with our sound engineers is that most of the songs that we’re playing are not duets and they shouldn’t be mixed that way. If someone is on lead and there’s a bgv (background vocal) then that bgv needs to be tucked behind the lead vocal (just a little softer). Duets = same volume, Lead/bgv = Lead is louder. Also, if your singer sounds like they’re singing in a cave, sometimes it’s not the eq, its the effect. Bypass all fx and start from scratch with channel eq @ zero. You’ll be surprised at what you’ll hear without fx.
For the band as a whole, you can broaden your sound by panning instruments to the opposite side of the stage from where they are standing. This is of course if your PA is in stereo. Lets say your electric guitarist’s amp is on stage left. Most likely you’re gonna hear a lot of stage volume from his/her amp. So, if it’s running through the PA, pan their channel to the stage right speaker until you begin to hear a difference and stop. Now its a nice full sound. Do the same for the bass and your rockin and rollin. Hope these tips help. Please shoot me an email if you have any questions.
Getting a Full Sound Without Eq – Pt. 2 Guitars
Ok. If you’re really going for a full sound, I would advise using 2 electric guitars and 1 acoustic in your band. You want to make sure though that the electrics aren’t playing the same thing. That just makes everything muddy and very 1 dimensional. Make sure that one electric is taking care of the rhythm parts (power chords etc.) and the other electric is doing the high parts (melodies, coloring tones). Assign them a part and make sure they stick to it, even if it means that they don’t play anything until 1 min. into the song. Most songs today already have this arrangement so it shouldn’t be a problem. As far as the acoustic in this scenario, they need to strum open chords as much as possible. This will add a very nice texture to the overall guitar sound. Remember that the acoustic serves 2 purposes. It provides a very broad frequency filler and also acts as a percussion instrument when strumming down and up in 8th notes. If you bring it down in the mix, just a little lower than the electrics, you’ll hear the pick hitting the strings and it will almost sound like a shaker. This really gives a lot of energy to songs in any tempo.
If you only have 1 electric and 1 acoustic, you’ll have to be a little more creative. If you’re playing a song and the guitars are doing their parts but a guitar solo is coming up, the first thing you’re going to notice when they take that solo is that the mids to low-mids is going to drop out because the electric is no longer playing rhythm. They’re playing a solo. They can’t do both. Or can they? Probably not. So, what to do. One thing you can do is bring up the acoustic guitar. What? Bring up the acoustic during the electric guitar solo? Yep! It works. Of course you’re going to bring up the electric too, but loosing your mids during the solo will suck the life out of a song fast. Another thing you can do is have your bass player play octaves or play power chords. Hey, they’re there, might as well use them right. Just kidding Seaweed!
There are few more little things you can do with the guitars in this area. TUNING! Always keep your guitar tuned. But please, if you’re going to tune your guitar on stage, have it muted. No one wants to hear someone tune up. Let’s keep it professional. NEW STRINGS! These things do wonders for a guitar, especially an acoustic. The percussive aspect of guitar strumming will really stand out with new strings.
Hope this stuff helps. Like I said in one of my previous posts, I am not a trained engineer. This stuff just comes from my years of trial and error in various bands. Check back soon as I’ll be discussing the role of keyboards and vocals.
